MARY ANN MCCARRA
FITZPATRICK
(STATELE UNITE)
PAGE-TURNER (CAN ONE TRUST THE NARRATOR?)
leather spined, she turns the
first, blank page, to see the
frontispiece, in short inky strokes,
obscured, so slightly, by paper tissue-
thin, the uppermost corner
wrinkled as if the last reader
closed the volume with an
impatient (or hasty) hand
endpapers, printed in peacock
colors, the whorls of red, blue,
green merging into a whole as
rich as plum pudding
turning the page, forgoing the
inevitable dedication (not to
her, certainly) musing over the
cryptic capitals punctuated by
oh-so-definite periods
chapter one was romance, the
treacle thick on the fingers,
licked off, delicious it was, so
sweet
no eye for foreshadowing, the
page missing from the index
vexing her, and can one,
really, ever trust the
narrator?
no. and so--she turns the
cream colored sheets, looking for
some legend she will understand,
oil black, that
she can trace over. but. no.
placed back upon the shelf at the
last and left to the whims
of the removal men
SEVEN-OH-FIVE
seven o five and OH the
minutes tick down, and dear,
this stocking is already laddered (where IS
another?) and there the
kettle blowing her top, steaming
away as if she would power the
whole house and
dammit where are my keys, so
sure I left them on the hook
by the door,
tick, tick, tick echoing back,
the click, click, click of
hasty shoes upon the boards (too
late, now, to worry about the
noise) snatching at purse-
strap then
dash-dark-down the stairwell,
ready as she'll ever be
(resolving, always, to be better:
that graceful, unhurried woman espied from afar)
ÎNTOARCE PAGINA
(NE PUTEM ÎNCREDE ÎN NARATOR?)
învelită în piele, ea întoarce
prima pagină albă să vadă
frontispiciul în tuşe scurte de cerneală
imperceptibil ascunse de hartia
ca o foiţă , colţul de sus
mototolit de parcă ultimul cititor
a închis cartea
cu o mână nerăbdătoare (sau grăbită)
ultimele două pagini, imprimate în
culorile unui păun, spirale de roşu, albastru,
verde contopindu-se într-un tot
plin ca o plăcintă de Crăciun
dând pagina, trecând peste
inevitabila dedicaţie (nu adresata ei,
desigur) cugetând la
iniţialele criptice delimitate
atât de limpede de puncte
primul capitol a fost de dragoste,
melasa în straturi groase pe degete,
linsă, ce gust delicios a avut,
aşa dulce
nepricepută la a ghici,
pagina lipsă din cuprins
o contrariază, şi ne putem oare
încrede vreodata
în narator?
nu, şi astfel întoarce
foile bej, cautând o legenda
pe care s-o înteleagă,
negru ca tăciunele, pe care
să o poată străbate. dar. nu.
aşezată la loc pe raft
ultima şi la cheremul
oamenilor de la mutări.
OF, ŞAPTE ŞI CINCI
Şapte şi cinci şi OF
minutele trec şi, vai,
ciorapul ăsta e deja agăţat (pe unde-o FI
celălalt?) iar dincolo ceainicul
dă în clocot, scoţând aburi de parcă
ar vrea să alimenteze
întreaga casa şi
fir-ar să fie, unde-mi sunt cheile, sigur
le-am lăsat în cuier
lângă uşă,
tic, tic, tic dublând ecoul
toc, toc, tocănitului
pantofilor grăbiti pe podea
(prea târziu acum să-mi fac griji
pentru zgomot) înşfăcând
geanta apoi
în grabă–pe scară-în beznă,
mai pregatită ca oricând
(hotărâtă mereu să fie mai bună:
femeia graţioasa cu pas agale
zărită în depărtare)
Traducere de Aura Mircea
MTTLC, anul II, Universitatea din Bucureşti
e-book "Metropolitan Diary" available on Amazon.com
06 March 2011
Mount Vernon Inquirer article, March 2011 issue.....available now!!!
An article appears in the March 2011 issue of the Mount Vernon Inquirer regarding last month's poetry reading at the Mount Vernon Public Library.
The paper is available for subscription ($34.00) yearly.
The Mount Vernon Inquirer
P.O. Box 458
Mount Vernon, NY 10551-0458
http://www.mvinquirer.com/
Mr. Joe Parisi, Editor and Publisher.
The paper is available for subscription ($34.00) yearly.
The Mount Vernon Inquirer
P.O. Box 458
Mount Vernon, NY 10551-0458
http://www.mvinquirer.com/
Mr. Joe Parisi, Editor and Publisher.
27 February 2011
Poems appearing in Issue No. 3 of Obsolete Magazine.
Two of MaryAnn's poems "Break Room" and "Three Roads Converge" -- which first appeared on this blog -- will be published in Issue No. 3 of Obsolete Magazine.
Quarterly (Four issues per year) $12.00 (includes postage and handling).
From their blog: http://obsoletemag.blogspot.com
"Obsolete Magazine is a quarterly tabloid publication in the tradition of the International Times, OZ, The East Village Other, The Berkely Barb, The Chicago Seed, The Whole Earth Catalog, PUNK!, and other great underground rags of days past....."
Quarterly (Four issues per year) $12.00 (includes postage and handling).
From their blog: http://obsoletemag.blogspot.com
"Obsolete Magazine is a quarterly tabloid publication in the tradition of the International Times, OZ, The East Village Other, The Berkely Barb, The Chicago Seed, The Whole Earth Catalog, PUNK!, and other great underground rags of days past....."
25 February 2011
Contemporary Literary Horizon, Jan.-Feb. 2011 Issue.
http://contemporaryhorizon.blogspot.com/
Some poems published in the Jan.-Feb. issue of Contemporary Literary Horizon!!
Some poems published in the Jan.-Feb. issue of Contemporary Literary Horizon!!
09 February 2011
01 February 2011
Crazed Cup
under the sink they are,
lined up, the forgotten
carafes, skewers for a
barbeque, behind a jumble
of flowerpots, paintpots, coffee-
and-teapots, the held-onto-
just-in-case, the broken
vessel, chipped, who might
just do in a pinch, and
thankful, too, we'll be, not
having that easy habit of
discarding others, the broken,
the imperfect, the slightly
cracked,
the crazing on an old cup a
map of all those days gone by
long forgotten, along with
their random imperfections,
dwarfed by the blazing of the sun,
remembering how hot it was....
lined up, the forgotten
carafes, skewers for a
barbeque, behind a jumble
of flowerpots, paintpots, coffee-
and-teapots, the held-onto-
just-in-case, the broken
vessel, chipped, who might
just do in a pinch, and
thankful, too, we'll be, not
having that easy habit of
discarding others, the broken,
the imperfect, the slightly
cracked,
the crazing on an old cup a
map of all those days gone by
long forgotten, along with
their random imperfections,
dwarfed by the blazing of the sun,
remembering how hot it was....
A Cat and A King
because the mind can be
convinced of anything at 3:58
a.m. she clings more tightly
than ever to sleep, anxious for
the dawn to set things to rights, the
towels folded for the laundry, the
coffee made and the
black dog sent on his way
without a bone to gnaw upon. And
peace falls upon the house
(momentarily), all the small
noises scrabbling inside the walls
a sort of unspeech to the unpeople
lingering about in all their
transitory glory, a housemaid
passing by a duchess (and to
be sure, a cat may look at
a king)
convinced of anything at 3:58
a.m. she clings more tightly
than ever to sleep, anxious for
the dawn to set things to rights, the
towels folded for the laundry, the
coffee made and the
black dog sent on his way
without a bone to gnaw upon. And
peace falls upon the house
(momentarily), all the small
noises scrabbling inside the walls
a sort of unspeech to the unpeople
lingering about in all their
transitory glory, a housemaid
passing by a duchess (and to
be sure, a cat may look at
a king)
Shipping Forecast
there is no connection,
no threading tissue,
between one and another,
no bother, as the dinner
gets done, chop-a-block,
in staccato steps, a
puzzle of paint-by-numbers,
ketchup-red, steak sauce-brown,
grainy-golden mustard, a dollop
of it on the spoon about to
be dashed into the sauce for the fish
with one fine wrist-movement (ah,
if all things could be so--
definite and sure)
saving her voice for after
dinner, when the clatter of
silverware straight into
the sink has faded, the
shipping forecast predicting
only minor squalls
and so
to bed
no threading tissue,
between one and another,
no bother, as the dinner
gets done, chop-a-block,
in staccato steps, a
puzzle of paint-by-numbers,
ketchup-red, steak sauce-brown,
grainy-golden mustard, a dollop
of it on the spoon about to
be dashed into the sauce for the fish
with one fine wrist-movement (ah,
if all things could be so--
definite and sure)
saving her voice for after
dinner, when the clatter of
silverware straight into
the sink has faded, the
shipping forecast predicting
only minor squalls
and so
to bed
Hitchcock's Blond Women
Hitchcock's blond women forever
frame-frozen: on a train, in a
shower, in a boat, on horseback
not always
having more fun
especially when:
hanging off national monuments,
being repeatedly stabbed, bird-beak
pecked, or
stringently psychoanalysed by
their husband (even if he is
Sean Connery)
better, so, to be
brunette!
frame-frozen: on a train, in a
shower, in a boat, on horseback
not always
having more fun
especially when:
hanging off national monuments,
being repeatedly stabbed, bird-beak
pecked, or
stringently psychoanalysed by
their husband (even if he is
Sean Connery)
better, so, to be
brunette!
Dervish
dervish whirls around the
pastel plain of the carpet
where lambs gambol,
eternally leaping over
that next hillock
turn, turn, turn, turn and
stop
on to pacing, pace, pace, pace,
pace, pace then
Stop
then to screaming, the arc rising
up and up, the
incredible crescendo of it
breaks with a bite upon
his hand,
stop
STOP
pastel plain of the carpet
where lambs gambol,
eternally leaping over
that next hillock
turn, turn, turn, turn and
stop
on to pacing, pace, pace, pace,
pace, pace then
Stop
then to screaming, the arc rising
up and up, the
incredible crescendo of it
breaks with a bite upon
his hand,
stop
STOP
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