all the pretty maids stand in a row
waiting for their blossoms to emerge
two and three at a time, riotous, flashes
of color over the green, the voices bleared
through the air, quick brushstrokes of paint, now
here, now there, such a pleasant portrait
to contemplate as the sun stares down, streaking
their hair with gold and red, the copper, the brass
to line pockets, the pretty maids, with their
placid hands gathering, always gathering their
blossoms back to their sides, palm against palm,
the best way to walk
e-book "Metropolitan Diary" available on Amazon.com
06 July 2007
31 May 2007
Notice to subscribers.......
I don't know why, exactly, but feedburner recently (twice) sent out a poem from last year. I'm not sure, quite, why this is.....but I do apologise.
Also.....for those of you who are Westchester residents.....check out the current issue of The Westchester Guardian (page 17). It's prose, not poetry, but I have (huzza!!!) half a page. Unlike the Times, they didn't edit me a bit!!
all best,
MaryAnn
McCarra--Poetry
Also.....for those of you who are Westchester residents.....check out the current issue of The Westchester Guardian (page 17). It's prose, not poetry, but I have (huzza!!!) half a page. Unlike the Times, they didn't edit me a bit!!
all best,
MaryAnn
McCarra--Poetry
Chamber Music
cutting clover in wide swathes, the
machine sputters and chokes, sighs and rests beneath the sun
how much better for the cows to
eat it, my blue-eyed boy, your
limbs mirroring mine as we walk along.....
four chambers, there are, four, and
each a room and place and time
unto itself entirely, the clock stopped
still in some, the ringing of the
hours halted, replaced by breaths, the
whispers marking time long since spent
each with their own inhabitants, these
boarders, pale chimera of what once was,
brought to life in an instant with a word,
a taste, a scrap of song the meat and
bread and wine to nourish the blood
a little longer
a little longer
the evening chorus in the green, in the green,
sun glistering down........
the blue darkens to dark, dark, the
sweetest song is a nightsong, the
dearest words those remembered.
machine sputters and chokes, sighs and rests beneath the sun
how much better for the cows to
eat it, my blue-eyed boy, your
limbs mirroring mine as we walk along.....
four chambers, there are, four, and
each a room and place and time
unto itself entirely, the clock stopped
still in some, the ringing of the
hours halted, replaced by breaths, the
whispers marking time long since spent
each with their own inhabitants, these
boarders, pale chimera of what once was,
brought to life in an instant with a word,
a taste, a scrap of song the meat and
bread and wine to nourish the blood
a little longer
a little longer
the evening chorus in the green, in the green,
sun glistering down........
the blue darkens to dark, dark, the
sweetest song is a nightsong, the
dearest words those remembered.
15 May 2007
The Vig Has Come Due........
and with it the ringing of the
telephone, echoing within this cave
of plaster and paint, the moldings
straightedged to the corners
ringringringringringring
ringringringringringringring......stop and silence
hangs heavy in the room, burgeoning down upon
these stooped shoulders, it drips, like treacle,
to the floorboards, a mess, a mess again--
clean it up with rotten rags and white vinegar
in the land of cornflakes the queen of the
weiner (red hots, get your red hots, red hots here....
see them pan-sizzled, black with bacon drippings)
tap dances across the kitchen floor,
each tap a morse code, no more, no more, no more
she cannot frame the words ego te absolvo,
pax tecum, go and sin no more: the
damage is done---it growls from her
stomach like a bear chained and baited,
the wee ones in short pants pummelling the
floor, fast as heartbeats, soles worn tissue thin,
blissful in their baby ignorance
the answer is yet unanswered, yet it shall
come, come, come, sure as Christmastide,
plain as the face of the full moon,
written out in the pages of the Daily
News, the public, the private, the
lawyers letters---all must add up to
something, surely---the tottering figures,
that tower of babel
these debits and credits on creased
papers, the ant-like ink an insult
to good sense, but still, and always,
nil desperandum
telephone, echoing within this cave
of plaster and paint, the moldings
straightedged to the corners
ringringringringringring
ringringringringringringring......stop and silence
hangs heavy in the room, burgeoning down upon
these stooped shoulders, it drips, like treacle,
to the floorboards, a mess, a mess again--
clean it up with rotten rags and white vinegar
in the land of cornflakes the queen of the
weiner (red hots, get your red hots, red hots here....
see them pan-sizzled, black with bacon drippings)
tap dances across the kitchen floor,
each tap a morse code, no more, no more, no more
she cannot frame the words ego te absolvo,
pax tecum, go and sin no more: the
damage is done---it growls from her
stomach like a bear chained and baited,
the wee ones in short pants pummelling the
floor, fast as heartbeats, soles worn tissue thin,
blissful in their baby ignorance
the answer is yet unanswered, yet it shall
come, come, come, sure as Christmastide,
plain as the face of the full moon,
written out in the pages of the Daily
News, the public, the private, the
lawyers letters---all must add up to
something, surely---the tottering figures,
that tower of babel
these debits and credits on creased
papers, the ant-like ink an insult
to good sense, but still, and always,
nil desperandum
18 April 2007
Untitled
tears prick the eyes,
these tiny knives, not yet
released to the cheek, the
bitter drops collected in cupped hands
even the back of the brain
cannot comprehend
this sorrow, the hearts
run through with swords
glinting like the bullet-flash
that brought our loved ones low,
flesh of our flesh, our
children, behind walls of
bricks and books and
papers left unwritten, the
proctor smiles and says
time's up
the sand run through already?
it cannot be, but is
these tiny knives, not yet
released to the cheek, the
bitter drops collected in cupped hands
even the back of the brain
cannot comprehend
this sorrow, the hearts
run through with swords
glinting like the bullet-flash
that brought our loved ones low,
flesh of our flesh, our
children, behind walls of
bricks and books and
papers left unwritten, the
proctor smiles and says
time's up
the sand run through already?
it cannot be, but is
24 March 2007
Digging for Worms
he's building her a pink house
with a garden--here's rosemary
for remembrance, for
Old Mother Hubbard peering into the
larder, stocked full now, with
sugar and spices and boxes upon
boxes of comestibles large and small,
the palate-pleasers cooked over
quickflames while the sun penetrates
the gauzy curtains of the pink house,
skirtingboard cream-colored, a band of
blue where the wall meets ceiling, the
mirrors reflecting the walls, many spined,
close written titles, ink-printed, so many words,
words, words,
and quiet floors, soft-padded with floral
knots, hand tied and cut,
the dawn chorus wakes us up and
we are sung to sleep in the
dark blue
we have had our milk and bread,
we are good children, both of us
with a garden--here's rosemary
for remembrance, for
Old Mother Hubbard peering into the
larder, stocked full now, with
sugar and spices and boxes upon
boxes of comestibles large and small,
the palate-pleasers cooked over
quickflames while the sun penetrates
the gauzy curtains of the pink house,
skirtingboard cream-colored, a band of
blue where the wall meets ceiling, the
mirrors reflecting the walls, many spined,
close written titles, ink-printed, so many words,
words, words,
and quiet floors, soft-padded with floral
knots, hand tied and cut,
the dawn chorus wakes us up and
we are sung to sleep in the
dark blue
we have had our milk and bread,
we are good children, both of us
14 March 2007
Collateral Damage
who are the sound and
who are the rotten?
the limbs pile up like driftwood,
salt-sealed the wounds, red the
common color to all, the demarcation
line of the tearing, flesh from flesh
you have it to eat, cannibal, on
your polished plates, thrice times daily
and still he says:
dulce et decorum est pro patria mori,
and this he believes, walking in
the Pennsylvania hills close-skirted
by trees
and still the lozenge-boxes, shinyhard,
wrapped in striped paper, come home to us,
these sad sarcophagi in which
warriors sleep
as the rubber wheel of the meds cart
catches against a broken tile, the
tiny droppings in the corner spell out:
whither shall we go from here?
who are the rotten?
the limbs pile up like driftwood,
salt-sealed the wounds, red the
common color to all, the demarcation
line of the tearing, flesh from flesh
you have it to eat, cannibal, on
your polished plates, thrice times daily
and still he says:
dulce et decorum est pro patria mori,
and this he believes, walking in
the Pennsylvania hills close-skirted
by trees
and still the lozenge-boxes, shinyhard,
wrapped in striped paper, come home to us,
these sad sarcophagi in which
warriors sleep
as the rubber wheel of the meds cart
catches against a broken tile, the
tiny droppings in the corner spell out:
whither shall we go from here?
05 March 2007
He Speaks Upon His Lines
Look kindly upon these verses short and long
Restrain the blue pencil in your hand
Who, but the poet, should write his song,
The letters, breaks, and lines make the land
Of this verse, while undivided remaining
Transmitted from author eyes to page
A message needing no retraining,
No remoulding, its wish only to engage
Readers eyes as was meant to be read
The sense and rhythm still unbroken
Untouched by other hands, the thread
Of thought just as it was spoken
So, kind editor, read these words true and fair
And print his letters as written if you dare!
Restrain the blue pencil in your hand
Who, but the poet, should write his song,
The letters, breaks, and lines make the land
Of this verse, while undivided remaining
Transmitted from author eyes to page
A message needing no retraining,
No remoulding, its wish only to engage
Readers eyes as was meant to be read
The sense and rhythm still unbroken
Untouched by other hands, the thread
Of thought just as it was spoken
So, kind editor, read these words true and fair
And print his letters as written if you dare!
20 February 2007
Poetical Disputes
all this argy-bargy over words--
it's too much, really--the
shaft-spears thrown across
list-servs at mild-mannered academics,
blue eyes floating in the milky puss
above his fine-knit sweater
as he protests--
no, that is not what I meant,
atall, atall
in an attempt to pacify the
lion man with his
sharp-toothed replies, his
glassy eyes bright after
their firing, white-hot liquid,
boiled sandgrains to these
cracks and chips of color
wreathed around the inky pupil,
a deep well, a black hole
the stars still pock the sky,
the sun still burns over the desert
it's too much, really--the
shaft-spears thrown across
list-servs at mild-mannered academics,
blue eyes floating in the milky puss
above his fine-knit sweater
as he protests--
no, that is not what I meant,
atall, atall
in an attempt to pacify the
lion man with his
sharp-toothed replies, his
glassy eyes bright after
their firing, white-hot liquid,
boiled sandgrains to these
cracks and chips of color
wreathed around the inky pupil,
a deep well, a black hole
the stars still pock the sky,
the sun still burns over the desert
04 February 2007
Lux et Veritas, Lux et Pax
Lux et veritas
Lux et pax
the light, the light through
the bubbles of sunlight soap,
those rainbow spheres, those
thin worlds upon worlds, a
stream of small planets exploding
on his bare arms, to his delight,
his great delight
oh, mama, see, see--the
black flash shoots from tree to
tree, branches aquiver, then still veins
against a grey sky, pre-snow,
a blank page inviting ink
spattering truth upon the pages,
show us the way to light and truth,
the words of all days over and
again, leading us to the
peace of mid-morning
and the sidewalks dashed
with salt ground beneath the sole
as black-coated men stand soberly,
the highway traffic roars past,
another flower falls from the stem,
and again, we shall have peace,
and light, and truth, all
these ancient lines refreshed
by our tears
as the catering van beats the
light, I am hungry, I am
hungry, an gorta mor
for light, and peace, and truth,
the finest food of all
Lux et pax
the light, the light through
the bubbles of sunlight soap,
those rainbow spheres, those
thin worlds upon worlds, a
stream of small planets exploding
on his bare arms, to his delight,
his great delight
oh, mama, see, see--the
black flash shoots from tree to
tree, branches aquiver, then still veins
against a grey sky, pre-snow,
a blank page inviting ink
spattering truth upon the pages,
show us the way to light and truth,
the words of all days over and
again, leading us to the
peace of mid-morning
and the sidewalks dashed
with salt ground beneath the sole
as black-coated men stand soberly,
the highway traffic roars past,
another flower falls from the stem,
and again, we shall have peace,
and light, and truth, all
these ancient lines refreshed
by our tears
as the catering van beats the
light, I am hungry, I am
hungry, an gorta mor
for light, and peace, and truth,
the finest food of all
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