all this argy-bargy over words--
it's too much, really--the
shaft-spears thrown across
list-servs at mild-mannered academics,
blue eyes floating in the milky puss
above his fine-knit sweater
as he protests--
no, that is not what I meant,
atall, atall
in an attempt to pacify the
lion man with his
sharp-toothed replies, his
glassy eyes bright after
their firing, white-hot liquid,
boiled sandgrains to these
cracks and chips of color
wreathed around the inky pupil,
a deep well, a black hole
the stars still pock the sky,
the sun still burns over the desert
e-book "Metropolitan Diary" available on Amazon.com
20 February 2007
04 February 2007
Lux et Veritas, Lux et Pax
Lux et veritas
Lux et pax
the light, the light through
the bubbles of sunlight soap,
those rainbow spheres, those
thin worlds upon worlds, a
stream of small planets exploding
on his bare arms, to his delight,
his great delight
oh, mama, see, see--the
black flash shoots from tree to
tree, branches aquiver, then still veins
against a grey sky, pre-snow,
a blank page inviting ink
spattering truth upon the pages,
show us the way to light and truth,
the words of all days over and
again, leading us to the
peace of mid-morning
and the sidewalks dashed
with salt ground beneath the sole
as black-coated men stand soberly,
the highway traffic roars past,
another flower falls from the stem,
and again, we shall have peace,
and light, and truth, all
these ancient lines refreshed
by our tears
as the catering van beats the
light, I am hungry, I am
hungry, an gorta mor
for light, and peace, and truth,
the finest food of all
Lux et pax
the light, the light through
the bubbles of sunlight soap,
those rainbow spheres, those
thin worlds upon worlds, a
stream of small planets exploding
on his bare arms, to his delight,
his great delight
oh, mama, see, see--the
black flash shoots from tree to
tree, branches aquiver, then still veins
against a grey sky, pre-snow,
a blank page inviting ink
spattering truth upon the pages,
show us the way to light and truth,
the words of all days over and
again, leading us to the
peace of mid-morning
and the sidewalks dashed
with salt ground beneath the sole
as black-coated men stand soberly,
the highway traffic roars past,
another flower falls from the stem,
and again, we shall have peace,
and light, and truth, all
these ancient lines refreshed
by our tears
as the catering van beats the
light, I am hungry, I am
hungry, an gorta mor
for light, and peace, and truth,
the finest food of all
25 November 2006
Ulysses Stable
And so, Ulysses
you take your last
great voyage
coins on your eyes
to pay the ferryman
respite, yes,
and rest you shall have,
forever more, the
song of Circe soothing
your troubled breast
no more, no more the
tide will rise to swallow
you and all your words,
your worlds,
yet undiscovered
so bright, the diamond-
treasure your coffers will hold
at the end of your journey,
tempest tossed, my fellow,
my friend, my brother, my baby child,
flesh of my flesh
rest and cry no more,
a chara, mo chroi
you take your last
great voyage
coins on your eyes
to pay the ferryman
respite, yes,
and rest you shall have,
forever more, the
song of Circe soothing
your troubled breast
no more, no more the
tide will rise to swallow
you and all your words,
your worlds,
yet undiscovered
so bright, the diamond-
treasure your coffers will hold
at the end of your journey,
tempest tossed, my fellow,
my friend, my brother, my baby child,
flesh of my flesh
rest and cry no more,
a chara, mo chroi
01 October 2006
Corn Country
they're praying for rain
in corn country, the
whispers rise up, a
cricket song
before the locusts come
ah, where were the seven years
of plenty?
and, oh, the deaths of
dreams deferred rise up,
these wraiths, confused
looks on their faces, so,
this is all there is then....
the myth of men with
pensions, pushing their
boats off into the future as
the leaves fall, it is too
cruel, too cruel indeed
the flagstones greened over
with damp, the green velvet
interrupting stone, the halting
words, so much, my dear, so much
of scraps and string and cello tape
yet it will hold, as it has to--
as sure as the sun rising or
the blank face of the moon staring back at one
in corn country, the
whispers rise up, a
cricket song
before the locusts come
ah, where were the seven years
of plenty?
and, oh, the deaths of
dreams deferred rise up,
these wraiths, confused
looks on their faces, so,
this is all there is then....
the myth of men with
pensions, pushing their
boats off into the future as
the leaves fall, it is too
cruel, too cruel indeed
the flagstones greened over
with damp, the green velvet
interrupting stone, the halting
words, so much, my dear, so much
of scraps and string and cello tape
yet it will hold, as it has to--
as sure as the sun rising or
the blank face of the moon staring back at one
10 July 2006
Blast Fire Collapse
the little slips of girls go past, smoothshouldered,
all in their summer clothes, their Liberty prints springing springlike
as white billows up, undampened by
the water streaming
another building gone to rubble--
the senseless sight and smoke
sears the eyes raw, raked
over on hot coals
blast fire collapse
terrifying trinity, this particular sequence
of words, smudged onto the pallid
newsprint of the grey lady, the News
and Hamilton's paper
oh, the sick stomach, the dagger
through the heart, hearing of the
wraiths wandering away from this
unholy conflagration, plaster powdered,
eyes staring, the brow cut there, and there,
and there, testament to the foul handiwork
of others, black beetles tunnelling through ancient dung
all in their summer clothes, their Liberty prints springing springlike
as white billows up, undampened by
the water streaming
another building gone to rubble--
the senseless sight and smoke
sears the eyes raw, raked
over on hot coals
blast fire collapse
terrifying trinity, this particular sequence
of words, smudged onto the pallid
newsprint of the grey lady, the News
and Hamilton's paper
oh, the sick stomach, the dagger
through the heart, hearing of the
wraiths wandering away from this
unholy conflagration, plaster powdered,
eyes staring, the brow cut there, and there,
and there, testament to the foul handiwork
of others, black beetles tunnelling through ancient dung
04 July 2006
Anatomy
the sinews that bind bone to
flesh, pinkstrong elastic, have that
fluidity that yet allows our
movement
ranging and arranging over the
mapland that is ours, speeding over
the veins of highways: blue, shaded
by leaves: green
and the heart's meat is a dark meat--
throbbing and pulsing--no pretty
valentine this, but wetly red,
damp-chambered, going
pit-a-pat, pit-a-pat, as hidden birds
sing their evening song---from what
trees now, do they sing, since the
uprooting?
dusk, when light blue darkens, darkening
to night, that is when they sing--
sometimes one alone, so cutting clear
as if a message meant for her heart
to sing in tune, walking on geometric
paving stones, the windows now dull
and dark, many paned, brittle, the
bricks arranged just so--as they
were engineered, the cement spread,
the stones placed-so-ringing round
this world fenced in by green, by
green, by green
mud-luscious, puddle-wonderful, after
spring parkinglots the lovely wet
will give way to winter and the
thin lace skim of ice easily
broken by the sole of a boot. We humans are hardier
creatures--season to season we
travel together, keeping each other
warm, feeding each other with
flesh and a little wine, ruby red
in the bottle, hands together twined,
one half of the other, one enclosed in
the other, fine movement that was
flesh, pinkstrong elastic, have that
fluidity that yet allows our
movement
ranging and arranging over the
mapland that is ours, speeding over
the veins of highways: blue, shaded
by leaves: green
and the heart's meat is a dark meat--
throbbing and pulsing--no pretty
valentine this, but wetly red,
damp-chambered, going
pit-a-pat, pit-a-pat, as hidden birds
sing their evening song---from what
trees now, do they sing, since the
uprooting?
dusk, when light blue darkens, darkening
to night, that is when they sing--
sometimes one alone, so cutting clear
as if a message meant for her heart
to sing in tune, walking on geometric
paving stones, the windows now dull
and dark, many paned, brittle, the
bricks arranged just so--as they
were engineered, the cement spread,
the stones placed-so-ringing round
this world fenced in by green, by
green, by green
mud-luscious, puddle-wonderful, after
spring parkinglots the lovely wet
will give way to winter and the
thin lace skim of ice easily
broken by the sole of a boot. We humans are hardier
creatures--season to season we
travel together, keeping each other
warm, feeding each other with
flesh and a little wine, ruby red
in the bottle, hands together twined,
one half of the other, one enclosed in
the other, fine movement that was
Business Life
getting on with the business of life
she said
after all has been mouthed over,
parsed, diagrammed,
pureed and strained
to a consistency that is easy
to take
see how it dribbles, into the jar,
all the old words and troubles
minced beyond recognition
a fine jam, to put away and let
pickle, slowly,
the sour taste is acrid, it burns,
it is familiar
yet,
put it away, jar it sealed tight with
waxy blobs coalesced wartlike
over the seams
and get on with the business of
life
the getting and spending, laying
away provisions, antlike, for
cloudy, unspecified futures to come,
lining a paper nest with black
words on it, reassuring script,
old stories to warm one, to warn one
the living and reliving, repeating
pattern in a garment, first swirl
this way, then that, be that precise
red, then orange, then blue, as
predictable as DNA replicating over
and again, gene-true
getting on with the business of
life
the repeated motions, walk
here, then there,
turn and spin,
ask a question,
be silent-safe,
cunning close, wax-sealed
she said
after all has been mouthed over,
parsed, diagrammed,
pureed and strained
to a consistency that is easy
to take
see how it dribbles, into the jar,
all the old words and troubles
minced beyond recognition
a fine jam, to put away and let
pickle, slowly,
the sour taste is acrid, it burns,
it is familiar
yet,
put it away, jar it sealed tight with
waxy blobs coalesced wartlike
over the seams
and get on with the business of
life
the getting and spending, laying
away provisions, antlike, for
cloudy, unspecified futures to come,
lining a paper nest with black
words on it, reassuring script,
old stories to warm one, to warn one
the living and reliving, repeating
pattern in a garment, first swirl
this way, then that, be that precise
red, then orange, then blue, as
predictable as DNA replicating over
and again, gene-true
getting on with the business of
life
the repeated motions, walk
here, then there,
turn and spin,
ask a question,
be silent-safe,
cunning close, wax-sealed
Desert Writing
a single tree amidst scrubland sunbleached pale,
tall, fine, strong---moored in
rocky ground--the shifting
plates sigh and grind against
one another in their dark sweet tectonics
green-scented thick, branches reaching
for heaven, sloping, too, towards
earth, twisting trunk
deep-ridged rough, a sure support
to lean long against
and weep for what was--this arid
expanse all around, the lack
of shade, parched throat a burning
road for whispers, low moans,
yes, yes, and yet--no
a single tree, fragrant, many-veined,
sap-thick, shading, steadfast in
this desert fire, each grain of sand
a second, time shifting in waves,
writing words upon the earth in her fluid script
tall, fine, strong---moored in
rocky ground--the shifting
plates sigh and grind against
one another in their dark sweet tectonics
green-scented thick, branches reaching
for heaven, sloping, too, towards
earth, twisting trunk
deep-ridged rough, a sure support
to lean long against
and weep for what was--this arid
expanse all around, the lack
of shade, parched throat a burning
road for whispers, low moans,
yes, yes, and yet--no
a single tree, fragrant, many-veined,
sap-thick, shading, steadfast in
this desert fire, each grain of sand
a second, time shifting in waves,
writing words upon the earth in her fluid script
Driving
lacquer-hard-- these shells creep past,
most silently, though some scream
as they turn a corner, some warm
with sufficient space for the
extension of legs-- oh -- mystery of
internal combustion-- the mechanics
of things--what makes us go--not
stop--the fire within us that blazes up
in the night, so warming. Where are
they all going, she wonders--and pulls
the curtains close. Banded in by
highways here, the greyblue ribbons
of asphalt, laid down with gravel and
hot tar in the summer, smoking, black,
noxious--the proper signs put up,
green and white, to mark the
exits--always the roar, the insect-hum
in the background deadened only by snow
always going--where are they going, going
to go
back to what home, back to what work,
the marked off spaces we place our
names on
the carrier bags filled with groceries
in the back, the gold crowns,
sticky-handed children, a jumble
of laundry, bright toys, primary colors
red, blue, and yellow like the light above--
butterscotch colored, it is burning out,
no longer white bright like the slim-
necked brothers and sisters lining the road,
these sentries showing the way--here--
and here--and here--the head-
lights pick out the exit signs--they
gleam back, the diamond-pointed strips
common illumination leading us our way,
all our ways, home-ways, work-ways, our
willful ways
humming along, along, those neon miles
past the car dealerships, the chain
restaurant with parkinglot pitted with
shallow depressions that catch the rain,
vague industrial buildings sprouted up
inside chainlink fences (their blank
bricks tell no story, tell no story save
that of forms filed in triplicate, carbonized,
delicate canary yellow covered in a fine dust)
road, cut through rock, twists ever and
ever away, light pointed, a place
thick with trees and crows, coal black,
call to each other as the moon silvers
over the blueblack ribbons tying us
each to each, exits and entrances
our beginnings and ends, the center
one comes to, embracing in a perfect circle,
the beginning and end of all our travels
most silently, though some scream
as they turn a corner, some warm
with sufficient space for the
extension of legs-- oh -- mystery of
internal combustion-- the mechanics
of things--what makes us go--not
stop--the fire within us that blazes up
in the night, so warming. Where are
they all going, she wonders--and pulls
the curtains close. Banded in by
highways here, the greyblue ribbons
of asphalt, laid down with gravel and
hot tar in the summer, smoking, black,
noxious--the proper signs put up,
green and white, to mark the
exits--always the roar, the insect-hum
in the background deadened only by snow
always going--where are they going, going
to go
back to what home, back to what work,
the marked off spaces we place our
names on
the carrier bags filled with groceries
in the back, the gold crowns,
sticky-handed children, a jumble
of laundry, bright toys, primary colors
red, blue, and yellow like the light above--
butterscotch colored, it is burning out,
no longer white bright like the slim-
necked brothers and sisters lining the road,
these sentries showing the way--here--
and here--and here--the head-
lights pick out the exit signs--they
gleam back, the diamond-pointed strips
common illumination leading us our way,
all our ways, home-ways, work-ways, our
willful ways
humming along, along, those neon miles
past the car dealerships, the chain
restaurant with parkinglot pitted with
shallow depressions that catch the rain,
vague industrial buildings sprouted up
inside chainlink fences (their blank
bricks tell no story, tell no story save
that of forms filed in triplicate, carbonized,
delicate canary yellow covered in a fine dust)
road, cut through rock, twists ever and
ever away, light pointed, a place
thick with trees and crows, coal black,
call to each other as the moon silvers
over the blueblack ribbons tying us
each to each, exits and entrances
our beginnings and ends, the center
one comes to, embracing in a perfect circle,
the beginning and end of all our travels
Changeling
the tree is white-wreathed in fog, she is
rooted firm, woodpale tentacles
reaching for the grey petticoat edge of
sky above, clots of birdsnests
lodged one here, one there, interrupting
the line of her limbs, that
graceful upraising: see--she
speaks when the wind threads
through her spindle-branches--I
was woman once (whispering) I
loved, and lost, my body
wept great tears, sad flesh
all a-melting til I came to
be rooted here, feet pushing
down into the thick minerals, the
shifting sands, rich darkloam velvet
arms and hand and fingers and
hair all became branches, bark-
thickened, hard ridged rough,
weeping no more, but sighing in
summer at the wind-sweet,
(too brief) embrace
rooted firm, woodpale tentacles
reaching for the grey petticoat edge of
sky above, clots of birdsnests
lodged one here, one there, interrupting
the line of her limbs, that
graceful upraising: see--she
speaks when the wind threads
through her spindle-branches--I
was woman once (whispering) I
loved, and lost, my body
wept great tears, sad flesh
all a-melting til I came to
be rooted here, feet pushing
down into the thick minerals, the
shifting sands, rich darkloam velvet
arms and hand and fingers and
hair all became branches, bark-
thickened, hard ridged rough,
weeping no more, but sighing in
summer at the wind-sweet,
(too brief) embrace
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