e-book "Metropolitan Diary" available on Amazon.com
30 April 2010
Wassaic
disgorging from each car at the
end of this railway line, are the
grey men with hats and cases, news-
papers folded under their arms
some met by wives in sleek sedans--
others walk home in the twilight
quietly approaching, the roar of the
train ebbing away to nothing, as if
it never were
the promise of a moon later, low-hanging
over the station, a
gleaming dinnerplate suspended as if
in a catalogue for new brides,
pale white, brighter than electricity
music rising up, the cricket song,
the scratch of matches, the winding of
the clock--at the tone the time will
be---
end of this railway line, are the
grey men with hats and cases, news-
papers folded under their arms
some met by wives in sleek sedans--
others walk home in the twilight
quietly approaching, the roar of the
train ebbing away to nothing, as if
it never were
the promise of a moon later, low-hanging
over the station, a
gleaming dinnerplate suspended as if
in a catalogue for new brides,
pale white, brighter than electricity
music rising up, the cricket song,
the scratch of matches, the winding of
the clock--at the tone the time will
be---
No Other Road
*Written for day 27 of the PAD challenge. Prompt: a "hopeful" poem.
because there is no other road
we lace our boots up and look,
resolutely, at the ink drying on the
page, these floods that would
detail, in an exhaustive manner,
all that has gone before, the
case notes, blue on white, neatly
filed, the various and sundry
applications, forms, petitions and
letters to the editor--a fine
thing indeed, to see your name
in print--
all the while that small wild
bird, quivering, flying in your breast,
the ever-living heartbeat that
forgets to die, somehow, and
lives on, the spark amidst
the dust crackling into a bonfire
because there is no other road
we lace our boots up and look,
resolutely, at the ink drying on the
page, these floods that would
detail, in an exhaustive manner,
all that has gone before, the
case notes, blue on white, neatly
filed, the various and sundry
applications, forms, petitions and
letters to the editor--a fine
thing indeed, to see your name
in print--
all the while that small wild
bird, quivering, flying in your breast,
the ever-living heartbeat that
forgets to die, somehow, and
lives on, the spark amidst
the dust crackling into a bonfire
28 April 2010
McCarra/Poetry Broadcast Number 8
Made this morning over USTREAM.TV
Here's the link.....
http://www.ustream.tv/recorded/6505068
Also on YouTube....
Check it out!!!
Here's the link.....
http://www.ustream.tv/recorded/6505068
Also on YouTube....
Check it out!!!
26 April 2010
Five Times and More
*Written for day 26 of the PAD challenge. Prompt: "more than 5 times".
five times and more I called your name,
five times and more I was denied
the pleasure of your voice---
I hear it now, everywhere, even in
the corn crake, the crow, the
chattering squirrel, the wood pigeon
yawp of the great world spreading
over me
like marmalade over thin
toast
yet it has not your sweetness,
I think, when all is said and done
and done I am with calling your name
five times and more I called your name,
five times and more I was denied
the pleasure of your voice---
I hear it now, everywhere, even in
the corn crake, the crow, the
chattering squirrel, the wood pigeon
yawp of the great world spreading
over me
like marmalade over thin
toast
yet it has not your sweetness,
I think, when all is said and done
and done I am with calling your name
Sweet Home
*Written for day 25 of the PAD challenge. Prompt: poem inspired by a song.
(Sweet Home Alabama, Lynyrd Skynyrd)
searching for that sweet home,
in Alabama (or anywhere
that will have her)
spending long hours on
demographics, plans of
houses, taxes, termites,
the lot--and all she
wishes for is a bed to rest
her head on and a
place for her books, and
some time, and a room, yes,
to write in, endlessly
(Sweet Home Alabama, Lynyrd Skynyrd)
searching for that sweet home,
in Alabama (or anywhere
that will have her)
spending long hours on
demographics, plans of
houses, taxes, termites,
the lot--and all she
wishes for is a bed to rest
her head on and a
place for her books, and
some time, and a room, yes,
to write in, endlessly
The Morse Code of Fireflies
*Written for day 24 of the PAD challenge. Prompt: an "evening" poem.
blinking their morse code, these
fireflies in late July spell out
all I would say to you as
I wring out the dishrag and
set it to dry, distracted by the
squeals of neighbor-children and
the voices of their parents, pitching and clink-
clacking over their late-night
drinks, a grill glowing in
the distance as the cricket-noise
swells and fades, swells and fades
yet again, fine concert, that
see-- a S.O.S. -- hear me, see
me-- the blind shall yet see,
the lame yet walk, the halt
have their voice
float-blink, float-blink
as if borne by the breeze blowing past.....contrasting
the tactlessness of 24/7 neon--
these subtle fellows--sending their message
then
on their way
blinking their morse code, these
fireflies in late July spell out
all I would say to you as
I wring out the dishrag and
set it to dry, distracted by the
squeals of neighbor-children and
the voices of their parents, pitching and clink-
clacking over their late-night
drinks, a grill glowing in
the distance as the cricket-noise
swells and fades, swells and fades
yet again, fine concert, that
see-- a S.O.S. -- hear me, see
me-- the blind shall yet see,
the lame yet walk, the halt
have their voice
float-blink, float-blink
as if borne by the breeze blowing past.....contrasting
the tactlessness of 24/7 neon--
these subtle fellows--sending their message
then
on their way
Airmail Letter
*Written for day 23 of the PAD challenge. Prompt: an "exhausted" poem.
thick with lack of sleep, writing a
missive in the blue-red-blue-red-blue-
red airport terminal, waiting on
the next leg of her flight
and home to New York after
seven long nights in Los Angeles, the
hum in her ears makes it an
effort, the line between her
eyes and the tablet as taut
as a string used to pull teeth
sealed, stamped, and deposited in a
red-white-blue-red-white-blue-red-white-
blue mailbox, the lines of
his address wavering as
she posts it
sleeping, before touching earth, Austen
fallen from her lap, the
bump-bump-bump stuttering
against the runway jolting her
awake.....and longing to sleep the
sleep of angels still abed
thick with lack of sleep, writing a
missive in the blue-red-blue-red-blue-
red airport terminal, waiting on
the next leg of her flight
and home to New York after
seven long nights in Los Angeles, the
hum in her ears makes it an
effort, the line between her
eyes and the tablet as taut
as a string used to pull teeth
sealed, stamped, and deposited in a
red-white-blue-red-white-blue-red-white-
blue mailbox, the lines of
his address wavering as
she posts it
sleeping, before touching earth, Austen
fallen from her lap, the
bump-bump-bump stuttering
against the runway jolting her
awake.....and longing to sleep the
sleep of angels still abed
24 April 2010
White Rock Fairy
* Written for day 2 of the PAD challenge. Prompt: a "water" poem.
water cascading, the Ajax
stronger than dirt
while
wings folded neatly
she sits at a small table
of avocado green as the
White Knight and Mr. Clean
regale her with tales of
stains vanquished
the lazy susan in harvest
gold revolves, the walnut-studded bundt
cake, neatly sliced, the
coffee perking (fill it to
the rim?)
this Psyche, long looking
for her stupid Cupid,
wondering, if indeed, absinthe makes the
heart grow fonder---
whiling away the hours as
her washday wears on, his shirts,
whiter than white, awaiting the
press of her iron
water cascading, the Ajax
stronger than dirt
while
wings folded neatly
she sits at a small table
of avocado green as the
White Knight and Mr. Clean
regale her with tales of
stains vanquished
the lazy susan in harvest
gold revolves, the walnut-studded bundt
cake, neatly sliced, the
coffee perking (fill it to
the rim?)
this Psyche, long looking
for her stupid Cupid,
wondering, if indeed, absinthe makes the
heart grow fonder---
whiling away the hours as
her washday wears on, his shirts,
whiter than white, awaiting the
press of her iron
Departures
*Written for Day 1 of the PAD challenge. Prompt: a "lonely" poem.
she looks upon the depression
left deep upon the pillow, his
headprint still evident, the
tangle, too, of his pyjamas tossed
to the floor
in Tulsa, now, he is, she knows,
and the din of her afternoon yet
to begin, the birds descanting
in a restless tone, the
sky burning above her roof
when did he leave? she tries
to remember and sees the
fresh-ironed shirts carefully
folded and packed, socks paired
and rolled, toiletries in a dopp
kit, this careful assemblage meant
to minimize wrinkling
then recalls the kiss too light
to wake her, the grinding of a
key against the barrel of the lock
and gone
she looks upon the depression
left deep upon the pillow, his
headprint still evident, the
tangle, too, of his pyjamas tossed
to the floor
in Tulsa, now, he is, she knows,
and the din of her afternoon yet
to begin, the birds descanting
in a restless tone, the
sky burning above her roof
when did he leave? she tries
to remember and sees the
fresh-ironed shirts carefully
folded and packed, socks paired
and rolled, toiletries in a dopp
kit, this careful assemblage meant
to minimize wrinkling
then recalls the kiss too light
to wake her, the grinding of a
key against the barrel of the lock
and gone
22 April 2010
Digging for Earthworms
*Written for day 22 of the PAD challenge. Prompt: an "earth" poem (for earth day).
digging for earthworms I do
not think of the tectonic
plates shifting, the molten
magma center of this earth,
but of the errands to be
run, the telephone calls
dialed, the dinner, now
defrosting on the counter, to
be somehow assembled
I do not think of those
others who have walked here,
leaving the ground undisturbed,
as we tear through the sod
to blackness below, or of
the fossil remains we may
yet find
the afternoon post brings
more demands, the calendar,
like clockwork, presents us
with the first and last
of the month, the curious
pressing scripts so easily
ignored (for a moment) in
favor of these earthworms,
tangling-thick, working the
earth in their own slow way
digging for earthworms I do
not think of the tectonic
plates shifting, the molten
magma center of this earth,
but of the errands to be
run, the telephone calls
dialed, the dinner, now
defrosting on the counter, to
be somehow assembled
I do not think of those
others who have walked here,
leaving the ground undisturbed,
as we tear through the sod
to blackness below, or of
the fossil remains we may
yet find
the afternoon post brings
more demands, the calendar,
like clockwork, presents us
with the first and last
of the month, the curious
pressing scripts so easily
ignored (for a moment) in
favor of these earthworms,
tangling-thick, working the
earth in their own slow way
According to the Weatherman
*Written for day 21 of the PAD challenge. Prompt "According to (blank)".
we're due for rain again, and
with it all the truck of
raincoats and boots and
sopping socks, the wayward
wind blowing the umbrellas
backwards--you see them,
abandoned, in a huff, at the
side of the road, when only a little
patience could set them right.
I don't need a weatherman to
know what way the wind blows---
I watch it in your eyes, those
hurricanes brewing up, thick-
barreled, carrying away the cattle
we're due for rain again, and
with it all the truck of
raincoats and boots and
sopping socks, the wayward
wind blowing the umbrellas
backwards--you see them,
abandoned, in a huff, at the
side of the road, when only a little
patience could set them right.
I don't need a weatherman to
know what way the wind blows---
I watch it in your eyes, those
hurricanes brewing up, thick-
barreled, carrying away the cattle
Fr. Maximilian Kolbe, Prisoner Number 16670
*Written for the PAD challenge. Day 19 a poem about somebody.
14 August 1941
black smoke plumed up to
heaven and he, burnt along
with the rest, said "Ave
Maria" before the injection
of carbolic acid, crowned
with red and white, this one
who laid down his life
for another, in Block
13, starved for a fortnight of the
weak substitute coffee and dry bread
and "God dwells in
our midst" said he,
going to his death with singing
and praise, straight into the arms of
Our Lady
14 August 1941
black smoke plumed up to
heaven and he, burnt along
with the rest, said "Ave
Maria" before the injection
of carbolic acid, crowned
with red and white, this one
who laid down his life
for another, in Block
13, starved for a fortnight of the
weak substitute coffee and dry bread
and "God dwells in
our midst" said he,
going to his death with singing
and praise, straight into the arms of
Our Lady
21 April 2010
Packing-Boxes
*Written for day 20 of the PAD challenge. Prompt: "Looking forward."
future-time is a plot of
ground, tree-shaded, some
chickens, too, and quiet
no point in chewing over the
past like an old bone--onwards and upwards,
he says, and pulls out
the packing boxes and the
tape, crumpled newspaper
to blacken the hands as
the Skynyrd CD replays,
again, the cardboard crates
are loaded onto a truck
bound for the green-bladed, yet
unknown future, the bill of
lading filled out, the
signatures affixed, and so
we start our journey to
that green and pleasant land
future-time is a plot of
ground, tree-shaded, some
chickens, too, and quiet
no point in chewing over the
past like an old bone--onwards and upwards,
he says, and pulls out
the packing boxes and the
tape, crumpled newspaper
to blacken the hands as
the Skynyrd CD replays,
again, the cardboard crates
are loaded onto a truck
bound for the green-bladed, yet
unknown future, the bill of
lading filled out, the
signatures affixed, and so
we start our journey to
that green and pleasant land
To a Coffee-Pot
*For day 18 of the PAD challenge. Prompt: "To (blank)"
so thankful, sometimes, for
things that work--you--
(if you can be a "you") distilling
the essence of ground beans
(most mornings) into my cup, except,
of course, when I prefer your
pale cousin, tea
gleaming silver, on the stovetop,
you work and perk and hiss and steam
away until the top chamber
is filled and fragrant--
and thankful, so, I pour
blackness into white, savoring
that first draught of warmth
to break the chill morning
so thankful, sometimes, for
things that work--you--
(if you can be a "you") distilling
the essence of ground beans
(most mornings) into my cup, except,
of course, when I prefer your
pale cousin, tea
gleaming silver, on the stovetop,
you work and perk and hiss and steam
away until the top chamber
is filled and fragrant--
and thankful, so, I pour
blackness into white, savoring
that first draught of warmth
to break the chill morning
Greenhouse
*For day 17 of the PAD challenge. A "science" poem.
this botanist sets aside the
York and Lancaster rose, the
African and French marigolds--
preferring instead the pine apple,
white and yellow chrysanthemums
bound into this bouquet,
crowned with clematis,
wreathed through with rosemary
for remembrance and
white periwinkle too, the sun
dancing on the glass house that
shields his bended head, each
ray a gleaming point of significance
flashing off his signet ring, a
gift from his father, as
he binds these blooms together
this botanist sets aside the
York and Lancaster rose, the
African and French marigolds--
preferring instead the pine apple,
white and yellow chrysanthemums
bound into this bouquet,
crowned with clematis,
wreathed through with rosemary
for remembrance and
white periwinkle too, the sun
dancing on the glass house that
shields his bended head, each
ray a gleaming point of significance
flashing off his signet ring, a
gift from his father, as
he binds these blooms together
20 April 2010
16 April 2010
Anubis
*Written for day 16 of PAD. Prompt: "death."
I do not think the dead cry for us
as we for them
we collected saltwater, in jars,
to prove our feelings for him,
our dead king, the golden
one, his armies massed and at
the ready.....
how many head of cattle?
how many battalions, how
many flags to unfurl in
the underworld?
how large his granaries?
I do not think the dead cry for us
as we for them
I do not think the dead cry for us
as we for them
we collected saltwater, in jars,
to prove our feelings for him,
our dead king, the golden
one, his armies massed and at
the ready.....
how many head of cattle?
how many battalions, how
many flags to unfurl in
the underworld?
how large his granaries?
I do not think the dead cry for us
as we for them
Breakfast at Camelot
*Written for day 15 of the PAD challenge. Prompt: a "deadline" poem.
late again with the words
that would matter in black and white,
no matter, she can
wait to hear the presses
roll, the white cylinders
of paper unspooling noisily
on Forty-third Street, the
stop press for her own
personal headline as the
sun rises over Sardi's,
even Ray has gone home to
Brooklyn--and her
next deadline--breakfast
at Camelot with Pat the Priest
late again with the words
that would matter in black and white,
no matter, she can
wait to hear the presses
roll, the white cylinders
of paper unspooling noisily
on Forty-third Street, the
stop press for her own
personal headline as the
sun rises over Sardi's,
even Ray has gone home to
Brooklyn--and her
next deadline--breakfast
at Camelot with Pat the Priest
Circe
*For day 14 of the PAD challenge. Prompt: an "island" poem.
a pyramid of oranges at
Ben Nat, opposite the island
comprised of four benches,
stopping off place for the
weary shoppers watching
passers-by weighing fruit,
purchasing chickens and crubeens,
grappling with bags as the
cigar-man slowly rolls his leaves
oh, for an island of
melodies to sing her
into a drowsing sleep
as the sun set beyond palm
trees, into an ocean of unreal
blue, stolen from the paintbox,
Crayola's best color, the
sapphire-blue sea, so
far from the Bronx River
on a sandy shore while
the chorus sings her
to sleep, her own island,
the black loops of tape
running, automatic, this
Transland travel agency
of images sun-bleached, the
package holidays carefully
posed and composed
a pyramid of oranges at
Ben Nat, opposite the island
comprised of four benches,
stopping off place for the
weary shoppers watching
passers-by weighing fruit,
purchasing chickens and crubeens,
grappling with bags as the
cigar-man slowly rolls his leaves
oh, for an island of
melodies to sing her
into a drowsing sleep
as the sun set beyond palm
trees, into an ocean of unreal
blue, stolen from the paintbox,
Crayola's best color, the
sapphire-blue sea, so
far from the Bronx River
on a sandy shore while
the chorus sings her
to sleep, her own island,
the black loops of tape
running, automatic, this
Transland travel agency
of images sun-bleached, the
package holidays carefully
posed and composed
Amor Vincit?
*Written for day 13 of the PAD challenge. Prompt: A "love" or "anti-love" poem.
I'm through with love,
said she, tossing her
gloves down on the table
through waiting by the
telephone for the call
that never comes, through
with sighing her sighing, dying
breath and deconstructing
the actions and inactions of
another, endlessly. Through. I've had
a belly full of aches to
last me a century or more
Through.
I'm through with love,
said she, tossing her
gloves down on the table
through waiting by the
telephone for the call
that never comes, through
with sighing her sighing, dying
breath and deconstructing
the actions and inactions of
another, endlessly. Through. I've had
a belly full of aches to
last me a century or more
Through.
13 April 2010
McCarra/Poetry Broadcast Number 7
New poetry reading broadcast this morning over USTREAM.TV.
Check it out!!!
http://www.ustream.tv/recorded/6156753
Check it out!!!
http://www.ustream.tv/recorded/6156753
12 April 2010
Mount Vernon: Chief Gramatan Walks
*Written for day 12 of the PAD challege. Today's prompt: write about a city.
Chief Gramatan walks the four
point four square miles,
remembering a time before this
economic engine hummed
along Sandford Boulevard and
the bricks being shifted to
make new houses, each complete
with washer and dryer
the fruit fallen from the tree,
crushed red beneath his feet,
spots the sidewalk the polyglot
strolls upon in a Sunday hat
in this city of churches, raising hands
to Heaven, nearly touching
the clouds
Chief Gramatan walks the four
point four square miles,
remembering a time before this
economic engine hummed
along Sandford Boulevard and
the bricks being shifted to
make new houses, each complete
with washer and dryer
the fruit fallen from the tree,
crushed red beneath his feet,
spots the sidewalk the polyglot
strolls upon in a Sunday hat
in this city of churches, raising hands
to Heaven, nearly touching
the clouds
11 April 2010
The Last Letter
*Written for day 11 of the PAD challenge. Prompt: "The Last (blank)."
not zed, but another, better,
carried as a talisman
against harm, those blue
slashes on white paper, folded so,
and placed in her handbag, side-by-
side with compact and lipstick,
the daily warpaint, putting on a
face to face the world, these
words a garment made of chains
no one can break, so finely they
were wrought
not zed, but another, better,
carried as a talisman
against harm, those blue
slashes on white paper, folded so,
and placed in her handbag, side-by-
side with compact and lipstick,
the daily warpaint, putting on a
face to face the world, these
words a garment made of chains
no one can break, so finely they
were wrought
10 April 2010
Gothic Romance
*Written for day 10 of the PAD challenge. Prompt: "horror."
"the stealthy hand of midnight
wraps round her neck as she
thinks upon the flower pressed
between the leaves of the
book he gave her, so many
years ago, and on the
promise made to her, that
night: that he would
return, in spirit form, and
have her for his own......"
so the page read, as she
switched off the light and
went to her bed, dreaming of
the visions a dark night
(and an over-active mind)
could conjure up, some
horror of the less than living,
the frankly dead, to
come, sit by our side,
bide awhile with one
her lost love, the pale
youth, spouting the poetry
of lies so attractive to
hear, in a clutched embrace,
falling back to the ragged earth
before he must return to his tomb,
some miles hence, and the
chilly folds of his winding sheet
"the stealthy hand of midnight
wraps round her neck as she
thinks upon the flower pressed
between the leaves of the
book he gave her, so many
years ago, and on the
promise made to her, that
night: that he would
return, in spirit form, and
have her for his own......"
so the page read, as she
switched off the light and
went to her bed, dreaming of
the visions a dark night
(and an over-active mind)
could conjure up, some
horror of the less than living,
the frankly dead, to
come, sit by our side,
bide awhile with one
her lost love, the pale
youth, spouting the poetry
of lies so attractive to
hear, in a clutched embrace,
falling back to the ragged earth
before he must return to his tomb,
some miles hence, and the
chilly folds of his winding sheet
09 April 2010
Halftone Portrait
*Written for day 9 of the PAD challenge. Prompt: "a self-portrait."
glancing, as she does, at each glass
she passes, the mirror
and the shopwindow, simply
to make sure she is still there,
and not spirited off in a
puff of smoke, the ether rising up,
one day black, the next white, the
halftone passed over in the book of
color plates, the details
of her eyes, the nape of
her neck still invite discovery,
though draped with knots of
silk, black, white, gold, the folds
creasing up against her cheek
as she drops her head down
to ink again the plain page
she was granted
glancing, as she does, at each glass
she passes, the mirror
and the shopwindow, simply
to make sure she is still there,
and not spirited off in a
puff of smoke, the ether rising up,
one day black, the next white, the
halftone passed over in the book of
color plates, the details
of her eyes, the nape of
her neck still invite discovery,
though draped with knots of
silk, black, white, gold, the folds
creasing up against her cheek
as she drops her head down
to ink again the plain page
she was granted
08 April 2010
His Level Now Upon the Shelf
*Written for day 8 of the PAD challenge. Prompt "a tool."
his level now upon the shelf
he held surely in his hands, now age-
gnarled, aching, when he was a
younger man, building up a house for
his young bride and the children,
planned for, who came in time to
sit around his table
the center ring of brass still
shines as it did that day, when,
resting it on the stone wall
facing westward, the pearl in
the sphere of glass steady, so,
as the sun dipped beyond the
hills he counted his blessings on
his fingers, those other tools,
too, that helped make his house
a home, the boards smoothed and joined
for a cradle, a chest for a
daughter, a roof to keep the weather out,
all these things he counts, and recounts, his
level now upon the shelf
his level now upon the shelf
he held surely in his hands, now age-
gnarled, aching, when he was a
younger man, building up a house for
his young bride and the children,
planned for, who came in time to
sit around his table
the center ring of brass still
shines as it did that day, when,
resting it on the stone wall
facing westward, the pearl in
the sphere of glass steady, so,
as the sun dipped beyond the
hills he counted his blessings on
his fingers, those other tools,
too, that helped make his house
a home, the boards smoothed and joined
for a cradle, a chest for a
daughter, a roof to keep the weather out,
all these things he counts, and recounts, his
level now upon the shelf
07 April 2010
Until the Last Ember of the Sun
*Written for day 7 of the PAD challenge, prompt "Until (blank)."
until the last ember of the sun
falls through the firmament, a
small beacon in all that black,
she will wait, in her shift, counting
the leaves as they grow, finely-veined,
semi-transparent, on the tree
that brushes her windowpane with an
errant branch, a tapping finger, as
if to say, yes, you are still here
in spite of all the contradictions,
served up cold, on a plate, like
last night's dinner
smiling, all the while, at the
passing scene (how can she not?)
untangling the knots the wind wove
in her hair, counting the ants as
they make their hoardings for
winter, her heart's larder already full
of apples, sweets, preserves, all there
for the tasting
until the last ember of the sun
falls through the firmament, a
small beacon in all that black,
she will wait, in her shift, counting
the leaves as they grow, finely-veined,
semi-transparent, on the tree
that brushes her windowpane with an
errant branch, a tapping finger, as
if to say, yes, you are still here
in spite of all the contradictions,
served up cold, on a plate, like
last night's dinner
smiling, all the while, at the
passing scene (how can she not?)
untangling the knots the wind wove
in her hair, counting the ants as
they make their hoardings for
winter, her heart's larder already full
of apples, sweets, preserves, all there
for the tasting
06 April 2010
On The Road Home
*Written for day 6 of the PAD challenge...on de Goya's "Flight of the Witches."
how soon before they would shift
back to their familiar shapes, the
carrion crow, the cat, the snake
writhing around the stump of a
tree he had hoped to safely sleep
beside until the dawn broken
like the shell of an egg held
in her hand, cracked
against the rim of a teacup, the
kettle singing atop the fire
now this whirlwind of flesh about
his head, and he only wanting
to be home in his own bed,
unmolested by spirits, his wife
whispering, telling her beads,
ten by ten, ivorywhite, her hands
in his, later, murmuring a
morning prayer, her lips pressed to his
how soon before they would shift
back to their familiar shapes, the
carrion crow, the cat, the snake
writhing around the stump of a
tree he had hoped to safely sleep
beside until the dawn broken
like the shell of an egg held
in her hand, cracked
against the rim of a teacup, the
kettle singing atop the fire
now this whirlwind of flesh about
his head, and he only wanting
to be home in his own bed,
unmolested by spirits, his wife
whispering, telling her beads,
ten by ten, ivorywhite, her hands
in his, later, murmuring a
morning prayer, her lips pressed to his
05 April 2010
North Reading Room
*Written for the PAD (poem-a-day) 2010 challenge for National Poetry Month. The prompt is: too much information.
wooden card catalogues, the sliding
drawers have their grooves smoothed
with beeswax, those busy insects simmering
like the synapses of her brain as she
catches his eye across the reading room
dotted by heads bent over books, inclined
towards the green-shaded lamps to catch
the light in this otherwise dim gallery
of recessed shelves and carpet-quieted boards
fingers trembling at "a" she thinks yes, able,
he is and I for him, and happy so, to
catalogue each sigh and slight
she feels, listing her pale attributes
on one side of the scale, her
human measurements--five-seven, brown-
haired, blueish-eyed, 45-34-44, an
eight-and-a-half shoe (to walk
alongside you), ears still unpierced
at forty-two, no tattoos, scratching out
genealogies and grocery lists, wishing for
what was, when she was hungry
and Gawain still not yet killed her dragon--
other bones linger long, around the
encampment, whitened, with an inventory
written upon them, the magical, the
lost and longed for, the pecks of corn and barley and
half-stone weight of sugar candy stored away
wooden card catalogues, the sliding
drawers have their grooves smoothed
with beeswax, those busy insects simmering
like the synapses of her brain as she
catches his eye across the reading room
dotted by heads bent over books, inclined
towards the green-shaded lamps to catch
the light in this otherwise dim gallery
of recessed shelves and carpet-quieted boards
fingers trembling at "a" she thinks yes, able,
he is and I for him, and happy so, to
catalogue each sigh and slight
she feels, listing her pale attributes
on one side of the scale, her
human measurements--five-seven, brown-
haired, blueish-eyed, 45-34-44, an
eight-and-a-half shoe (to walk
alongside you), ears still unpierced
at forty-two, no tattoos, scratching out
genealogies and grocery lists, wishing for
what was, when she was hungry
and Gawain still not yet killed her dragon--
other bones linger long, around the
encampment, whitened, with an inventory
written upon them, the magical, the
lost and longed for, the pecks of corn and barley and
half-stone weight of sugar candy stored away
04 April 2010
History, Unraveling
that history, unraveling from
the edges of the tapestry
unweaving, each day, a little
more, the scenes of unicorns
recumbent, fading from view as
he turns to her with quizzical
looks and the riddle of his
fingers spanning round her waist, the
Cloisters in dark November, tracing
the face of the woman, stone-
hewn
riddle me, riddle me, randy-ro,
my father gave me seed to sow
they bloom now, in Spring, so many
seasons later,
sleeping, have they been sleeping
these many years, a long
hibernation of sorts, bursting forth
only now, their histories
writ upon their petals,
florid and pale by turns
the edges of the tapestry
unweaving, each day, a little
more, the scenes of unicorns
recumbent, fading from view as
he turns to her with quizzical
looks and the riddle of his
fingers spanning round her waist, the
Cloisters in dark November, tracing
the face of the woman, stone-
hewn
riddle me, riddle me, randy-ro,
my father gave me seed to sow
they bloom now, in Spring, so many
seasons later,
sleeping, have they been sleeping
these many years, a long
hibernation of sorts, bursting forth
only now, their histories
writ upon their petals,
florid and pale by turns
03 April 2010
A Lecture on Tintoretto
throwing off the old cloak of
melancholy, shaking away the
raindrops dripping from the tip
of an umbrella puddling down to our feet
as the lecture on Tintoretto starts,
the room darkens, and the slides
drop in their carousel, the click-
click-click ticking away the next
fifty minutes or so
later
watching, as starving cattle, seven
in number, totter away, seven glossy-fat
take their place, grazing in the long grass
putting on new clothes,
radiant in your reflection,
sighing, always, at the colors mixed
perfectly, so, the iris a palette
of blue, gold, brown
melancholy, shaking away the
raindrops dripping from the tip
of an umbrella puddling down to our feet
as the lecture on Tintoretto starts,
the room darkens, and the slides
drop in their carousel, the click-
click-click ticking away the next
fifty minutes or so
later
watching, as starving cattle, seven
in number, totter away, seven glossy-fat
take their place, grazing in the long grass
putting on new clothes,
radiant in your reflection,
sighing, always, at the colors mixed
perfectly, so, the iris a palette
of blue, gold, brown
Partly Because She Loves Him
partly because she loves him
she holds her tongue
as she watches two geese
honking northwards, past Fleetwood Station
and wishes he would clasp her hand again
in his, warming it, this chill
Spring evening as
another train glides south
the rectangles of light punctuated
by the visages of travellers trying
to reach their own ends, folding and
unfolding their newspapers, grappling
with glossy magazines, and she,
she nurses an ache, a knot, so
thickcorded to her middle it never
will be born, her phantom child, a second self,
her love, her lost one, cherished
for so long, so well, it is nearly named,
but yet a chimera, glistering in the
dark, then gone
she holds her tongue
as she watches two geese
honking northwards, past Fleetwood Station
and wishes he would clasp her hand again
in his, warming it, this chill
Spring evening as
another train glides south
the rectangles of light punctuated
by the visages of travellers trying
to reach their own ends, folding and
unfolding their newspapers, grappling
with glossy magazines, and she,
she nurses an ache, a knot, so
thickcorded to her middle it never
will be born, her phantom child, a second self,
her love, her lost one, cherished
for so long, so well, it is nearly named,
but yet a chimera, glistering in the
dark, then gone
02 April 2010
The Coach Painter
(1826, Bridgetown, Barbados)
paint pots of red and gilt, in
Barbados, Bridgetown it was, where
the conflagration rose up--and the
carriage for the Governor only
half-complete, the coat-of-arms
a bare tracing when an errant
spark fell upon those rags, long
forgotten, and, as the birds
cried out their evening song the
smouldering grew to flame, the glass
panes, carefully leaded, carried from England,
blackened and cracked, the lion and the
unicorn rampant no more, but
charred to dust, the billowing smoke seen
beyond the green of canefields, an ill
omen, indeed, in this coastal town,
the sails of tall schooners swaying on the
water, moored to this island
of coral limestone, his cat
run into the cotton at the
first sign of smoke. the sun
rises again and he, too, to survey
the damage, the salvage starts,
building up again, from the earth,
this painter of coaches
paint pots of red and gilt, in
Barbados, Bridgetown it was, where
the conflagration rose up--and the
carriage for the Governor only
half-complete, the coat-of-arms
a bare tracing when an errant
spark fell upon those rags, long
forgotten, and, as the birds
cried out their evening song the
smouldering grew to flame, the glass
panes, carefully leaded, carried from England,
blackened and cracked, the lion and the
unicorn rampant no more, but
charred to dust, the billowing smoke seen
beyond the green of canefields, an ill
omen, indeed, in this coastal town,
the sails of tall schooners swaying on the
water, moored to this island
of coral limestone, his cat
run into the cotton at the
first sign of smoke. the sun
rises again and he, too, to survey
the damage, the salvage starts,
building up again, from the earth,
this painter of coaches
Manhattan (Evening)
let me float in my lover's arms,
sure, what harm in it, to fox trot
down lovers lane, no harm indeed,
if honestly meant, that kiss (or two)
in the twilight, beneath electric
lights wired and rewired patiently
(I just knew you would kiss like that,
as the sky was riven in two)
from mid-century on
and the city would be a fine place,
if they would ever finish building it....
the sun rising and setting on the
gatekeepers with their coffee and
meetings and profit and loss statements,
the price of paper and ink, the
printer in Pennsylvania, then Vermont,
then India, now China...
how soon before we are all remaindered?
and still she floats in her lover's
arms, the lucky coin in her shoe
thinsilver, under her heel
sure, what harm in it, to fox trot
down lovers lane, no harm indeed,
if honestly meant, that kiss (or two)
in the twilight, beneath electric
lights wired and rewired patiently
(I just knew you would kiss like that,
as the sky was riven in two)
from mid-century on
and the city would be a fine place,
if they would ever finish building it....
the sun rising and setting on the
gatekeepers with their coffee and
meetings and profit and loss statements,
the price of paper and ink, the
printer in Pennsylvania, then Vermont,
then India, now China...
how soon before we are all remaindered?
and still she floats in her lover's
arms, the lucky coin in her shoe
thinsilver, under her heel
Spring Is A-Coming In
tu-whit, tu-whoo
tu-whit, tu-whoo
and Spring is a-coming in
with all her attendant charms
and furbelows, the green at
her wrists and in her hair,
loose-belted round her waist, the
tendrils curling into words, the
growing script across the slate-
blue flagstones
her breath, blowing away winter
hoar-frost, her touch thaws
the ground, drawing up
the purple crocus and the drooping heads
of snowbells littering the lawns
newly greened
.....the wettest March in memory, yes,
soaked to the skin we were,
as we walked from school, the
last blast of Winter biting at
our heels, the trees upturned
in the street....
it was a lover and his...
in the Springtime....
and Spring says, come
and lie with me
and watch the pink cloud tree
explode again, like last year, while
you cradled the book and volume of
his brain in your hands
when hearts burst and
the grounds were well watered
her breath was a
welcome respite, wreathing
itself round, a relief after
the hard cold freezing our pipes,
chapping our fingers, the slogging
through snow,
her breath a kiss upon our brow
tu-whit, tu-whoo
and Spring is a-coming in
with all her attendant charms
and furbelows, the green at
her wrists and in her hair,
loose-belted round her waist, the
tendrils curling into words, the
growing script across the slate-
blue flagstones
her breath, blowing away winter
hoar-frost, her touch thaws
the ground, drawing up
the purple crocus and the drooping heads
of snowbells littering the lawns
newly greened
.....the wettest March in memory, yes,
soaked to the skin we were,
as we walked from school, the
last blast of Winter biting at
our heels, the trees upturned
in the street....
it was a lover and his...
in the Springtime....
and Spring says, come
and lie with me
and watch the pink cloud tree
explode again, like last year, while
you cradled the book and volume of
his brain in your hands
when hearts burst and
the grounds were well watered
her breath was a
welcome respite, wreathing
itself round, a relief after
the hard cold freezing our pipes,
chapping our fingers, the slogging
through snow,
her breath a kiss upon our brow
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