Figure 1:
a line drawing in black
and white,
a punch bowl overbrimming
(frothing, agitated by a silvery ladle),
hands joined
under the woodplanked table
still, wheels grind and whine against
the metal, wailing through
the night punctuated
by electric lights (crimson, grass green, jaundice-yellow)
and the shouts of
young men wheeling down the street
Figure 2:
color photograph tinted
with green, magenta, royal
blue, royal-est purple, the
gold-buttoned
image is fixed, inserted
into the reprints, no
afterthoughts here,
no errata slip--
the dyes are set, they are fixed for all time
wool grazes against the cheek
this dark is cool
engineers have long since surveyed this
patch of ground
while we escape measurement, the
quality of quantification, counting
lines
the moon silvers over your face
a light is switched on in a sitting room
too little time, entirely
Submission guidelines:
no, not here, there
no, not this, that
--the meat of the meaning
a disinvitation
Under the electron microscope:
anonymous strings of letters, the
dna spirals onto the page,
table-heavy, explaining those
generations who struck
the soil, names scratched
down in the black-bound bible,
crossing county lines, across the sea,
that narrow band of sickgreen sea
the black
and white of her eyes, the
contrast is the thing that is
noticed, finally,
the face that matches those still unknown
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