05 February 2010
To be sure.....
to be sure, it was a wrench, the
loss of his talk, the hands
round her waist, love coming in
at the eyes
then the long years, marked by
telegraph posts passing the windows,
thrip, thrip, thrip, regular as
breathing
plating food and pouring drinks, and
repeat as the needle hits the
grooves of the vinyl and the
scratchpop cannot hide that
old song, replete with corn syrup
we lulled ourselves to sleep with,
familiar snatches of melody to
weave into a quilt to
cover ourselves, warmth in winter
after the long hot summer and
sweet bird of youth had flown......
loss of his talk, the hands
round her waist, love coming in
at the eyes
then the long years, marked by
telegraph posts passing the windows,
thrip, thrip, thrip, regular as
breathing
plating food and pouring drinks, and
repeat as the needle hits the
grooves of the vinyl and the
scratchpop cannot hide that
old song, replete with corn syrup
we lulled ourselves to sleep with,
familiar snatches of melody to
weave into a quilt to
cover ourselves, warmth in winter
after the long hot summer and
sweet bird of youth had flown......
Onions
coppery skins fall to the lino,
brittle to the touch, as
another scream starts, then arcs
and falls away to silence.
they cause no tears, these
onions, as she keeps calm
and carries on, the booklet of stamps in
her apron pocket chafing the tips
of her fingers as she touches them,
for a moment only giving those nerves
sway, then raises the volume on
the radio, following each note....
in the mood, casting her mind back
to those cold pavements in grey November
before the fires of bleak December
throwing the bone into the fire, the
whitened hulk aloft for a fine moment
before it falls to the flames
she inclines, and inclines again, slicing
the onions fine, swaying so slightly, stockings askew
brittle to the touch, as
another scream starts, then arcs
and falls away to silence.
they cause no tears, these
onions, as she keeps calm
and carries on, the booklet of stamps in
her apron pocket chafing the tips
of her fingers as she touches them,
for a moment only giving those nerves
sway, then raises the volume on
the radio, following each note....
in the mood, casting her mind back
to those cold pavements in grey November
before the fires of bleak December
throwing the bone into the fire, the
whitened hulk aloft for a fine moment
before it falls to the flames
she inclines, and inclines again, slicing
the onions fine, swaying so slightly, stockings askew
01 February 2010
McCarraPoetryBroadcastFive.flv
This is the most recent poetry reading...originally broadcast over USTREAM.TV.....featuring the series of poems on the Seven Deadly Sins.
Cheers,
MaryAnn
Upstairs Room
after a quarter century
after all the mornings, evenings,
cups of coffee drained to the
bitter end, after the orange
rinds tossed into the trash,
after all the sitting in waiting
rooms, over-bright, the furthest
from soothing the shattered soul,
with their tattered periodicals
and chain-hotel decor, the gray
plastic table, hard-edged as
the knives slicing your inner organs
for a late supper
still, after a quarter century,
watching the light come, after
the dark, searching out the
moon we both see
after all has been said and
done, and done to death and
approached from every tired
angle, ever finding new
geometries to fit those passions,
ungoverned, that plague one,
even so--there can be some
rest in the eyes of others, the
sure-handed repetition of
domestic tasks
after twenty-five turnings of the
summer into fall, after the
strands have turned to silver,
the movement of Christmas to
Easter, the self-sacrifice, too,
love lost (or folded into a tiny
paper square, hidden away in
an upstairs room)
and those so many lives she
thinks on, breakfasting, squabbling,
merging and diverging, the
addition and multiplication
self-taught, no less important
than those numbers, learned
by rote
we chanted out as sun streamed through the
woodframed squares of windowpane
and she will sing a new
song, and again, a new
song, before the day
is done
after all the mornings, evenings,
cups of coffee drained to the
bitter end, after the orange
rinds tossed into the trash,
after all the sitting in waiting
rooms, over-bright, the furthest
from soothing the shattered soul,
with their tattered periodicals
and chain-hotel decor, the gray
plastic table, hard-edged as
the knives slicing your inner organs
for a late supper
still, after a quarter century,
watching the light come, after
the dark, searching out the
moon we both see
after all has been said and
done, and done to death and
approached from every tired
angle, ever finding new
geometries to fit those passions,
ungoverned, that plague one,
even so--there can be some
rest in the eyes of others, the
sure-handed repetition of
domestic tasks
after twenty-five turnings of the
summer into fall, after the
strands have turned to silver,
the movement of Christmas to
Easter, the self-sacrifice, too,
love lost (or folded into a tiny
paper square, hidden away in
an upstairs room)
and those so many lives she
thinks on, breakfasting, squabbling,
merging and diverging, the
addition and multiplication
self-taught, no less important
than those numbers, learned
by rote
we chanted out as sun streamed through the
woodframed squares of windowpane
and she will sing a new
song, and again, a new
song, before the day
is done
Dream on a Castro Convertible Sofa
slicing the bread and
scratching out the bills, passing
this time whilst I wait
and cartooned forms caper in
technicolor, the demarcations of
their inky lines melting as she
drifts into sleep
rows of frocks, flowered, striped,
the dark hallway of doors, metal-heavy,
pushed open to reveal a snowy
scene, a road forked, and,
beyond it, a graveyard, the
stones like so many grey teeth
upended, growing up from the earth
and he, and she, are without
their coats in this cold, confused now,
searching for the lost child
run far afield from them, he is young,
and fast, the spring in his step
the sweetest mechanism you'll see
in a month of Sundays
she lies, now, on the floral
plain of a Castro convertible
wondering, wondering, where her boy
may be
then wakes, to the blackdawn and
another day
scratching out the bills, passing
this time whilst I wait
and cartooned forms caper in
technicolor, the demarcations of
their inky lines melting as she
drifts into sleep
rows of frocks, flowered, striped,
the dark hallway of doors, metal-heavy,
pushed open to reveal a snowy
scene, a road forked, and,
beyond it, a graveyard, the
stones like so many grey teeth
upended, growing up from the earth
and he, and she, are without
their coats in this cold, confused now,
searching for the lost child
run far afield from them, he is young,
and fast, the spring in his step
the sweetest mechanism you'll see
in a month of Sundays
she lies, now, on the floral
plain of a Castro convertible
wondering, wondering, where her boy
may be
then wakes, to the blackdawn and
another day
14 January 2010
Tumblr
MaryAnn is also on Tumblr now......this is just a test to see if the link between Tumblr and this blog works......
Cheers,
MaryAnn
Cheers,
MaryAnn
30 December 2009
Black and White Photograph
14 April 2009
to look upon you, young again,
is to feel a spring rising in
my heart that will ever
flow
those founts, flowing pure, over
the stones, speak again, in
whispering tones, day and night,
those pearls of words, worlds,
clattering to the floor, I
gathered up, lining my pockets
with their smoothness, fingering
the beads and whispering back
yes, I am here,
and here I will stay, and
speak, for awhile yet, listening, always
to the founts pure flow
to look upon you, young again,
is to feel a spring rising in
my heart that will ever
flow
those founts, flowing pure, over
the stones, speak again, in
whispering tones, day and night,
those pearls of words, worlds,
clattering to the floor, I
gathered up, lining my pockets
with their smoothness, fingering
the beads and whispering back
yes, I am here,
and here I will stay, and
speak, for awhile yet, listening, always
to the founts pure flow
The Incident on Azzarox Street (or "Wrath")
one of these fifteen-minute eggs
Ira was, and such a temper
(though that is a word for
children and he a was a man
from the soles of his boots up and not to be
trifled with)
smashed the
windows, he did, in his house
on Azzarox Street, then held
her rigid, by her hair, as a
butterfly, pin-pricked, for
his devouring, framed by
the stairwell down to the
cellar and the furnace
burning red, her face held
too close to his flame, burning,
burning, burning
Ira was, and such a temper
(though that is a word for
children and he a was a man
from the soles of his boots up and not to be
trifled with)
smashed the
windows, he did, in his house
on Azzarox Street, then held
her rigid, by her hair, as a
butterfly, pin-pricked, for
his devouring, framed by
the stairwell down to the
cellar and the furnace
burning red, her face held
too close to his flame, burning,
burning, burning
The Far Pastures (or "Envy")
moss-green his eyes were as
he hung the chains about
her neck and she,
she wore them willingly,
casting glances at those
other, grander pastures
forbidden to her, behind stone walls, and
the longing wore her away
to bone, her heart, ribbon-
cut, meat sliced, rare, upon
a platter, shuddering within the
whitened hulk of her ribs
oh, how the chains weigh down
now, their indelible impressions
leaving their weird script upon her shoulders,
oh beware, beware, his greening eyes,
his hands about your neck,
the curling lip of his invidious smile
he hung the chains about
her neck and she,
she wore them willingly,
casting glances at those
other, grander pastures
forbidden to her, behind stone walls, and
the longing wore her away
to bone, her heart, ribbon-
cut, meat sliced, rare, upon
a platter, shuddering within the
whitened hulk of her ribs
oh, how the chains weigh down
now, their indelible impressions
leaving their weird script upon her shoulders,
oh beware, beware, his greening eyes,
his hands about your neck,
the curling lip of his invidious smile
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